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Abstract

Our aim in this research is to highlight the cognitive and methodological tools on which Al-Khalil bin Ahmed Al-Farahidi built his poetic performances, and to explain the mathematical principles that he used in his performance circles, and how exercise was adopted in determining poetic meters, which did not take a final abstract nature that entered him into the field of abandoned or dead hypotheses that required by the mathematical cracking of the phenomenon; Rather, the hypotheses were working to organize the state of investigation of the live weights that are supported by the use and subject to the exact scientific method accompanied by the accuracy of the observation and the scientific procedure and the depth of the analysis that was carried out by Al-Khalil, and thus opened horizons for research that would not have been if it had not been.

Article Type

Article

First Page

369

Last Page

385

Publication Date

6-15-2023

Creative Commons License

Creative Commons Attribution 4.0 International License
This work is licensed under a Creative Commons Attribution 4.0 International License.

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