Abstract
The research assumes that the manifestations of the image of the mind among the poets of Andalusia did not receive the attention it deserves due to the lack of research and studies that have been dealt with, whether those studies were single for these manifestations, or they came within other researches that dealt with Andalusian poetry in general.
The induction proved that the units and structures of the poem are imbued with loads or manifestations bearing images of values that are based on the principle of knowledge, foresight and contemplation, and their historical and artistic repercussions in the consciousness of the Andalusian poet, and his ability to employ the details related to it, through the emotional diagnosis and embodiment of its symbols, in the light of the texts that the researcher subjected to contemplation. and the study. Those manifestations of the images of the mind, as the research proved, seemed elusive images that do not give themselves easily, as they are a fertile world and revealing dense poetic connotations, and this matter is not far from poetry, as it is an artistic perception embodied in language, dealing with the world, its things, people, events and relations in a qualitative manner that reflects the desires of The self in nostalgia or joy and sadness, and this research will address those manifestations within psychological approaches, as well as an attempt to mature a perception of how poets build their meanings with artistic dangers. This research distinguishes between two forms of the mind: the first is related to the realistic reference that surrounded the poet's knowledge and perception, and the experiences he went through to filter his psychological awareness. in which they see the divine beauty; So contemplation, contemplation, and a sense of the unity of existence and the divine presence became the guide for these images and manifestations, and for the sake of the topic, we decided to choose poetic models of poets belonging to different eras; Each poet represents the era to which he belongs.
Article Type
Article
First Page
260
Last Page
277
Publication Date
6-15-2022
Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.
Recommended Citation
Mahmoud, Laila Manati
(2022)
"The Manifestations of the Mind and its Image of the Andalusian poet: An artistic Psychological Study,"
Alustath Journal for Human and Social Sciences: Vol. 61:
Iss.
2, Article 14.
DOI: 10.36473/ujhss.v61i2.1762
Available at:
https://alustath.researchcommons.org/journal/vol61/iss2/14
