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Abstract

This study aims to reconcile the theme of alienation with the exploration of its manifestations that provoke the characters’ levels of awareness and intellectual and emotional structure. This human concept, in Abullah Sekhi’s trilogy, has formed a cognitive, cultural mainstream that has dominated the trilogy’s data and intellectual and artistic dimensions.

This study is divided into two sections: The first one is based on studying and framing the manifestations of alienation and discussing its forms and aspects. The second one is based on authenticating the work of art and subjectivity of time and place in determining the theme of alienation and the characters’ psychological and emotional dimensions and their personal and human crises.

Article Type

Article

First Page

217

Last Page

248

Publication Date

9-15-2020

Creative Commons License

Creative Commons Attribution 4.0 International License
This work is licensed under a Creative Commons Attribution 4.0 International License.

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